That last element provides a diverting, large-scale background element, but might have been better woven into the narrative throughout than Balaguero and his multiple scenarists manage. One advantage: This is July 2010, so the city is a distracting chaos of sports fandom as the World Cup nears Spain’s grasp. They must access a heavily fortified Bank of Spain HQ in Madrid, eluding not just umpteen guards and surveillance devices but obsessively dedicated Security Chief Gustavo (Jose Coronado). Giving the kid a wary welcome are the others on Walter’s team: many-wigged changeling Lorraine (Astrid Berges-Frisbey), surly brawn James (Sam Riley), computer whiz Klaus (Axel Stein), and equipment man Simon (Luis Tosar). Yet somehow it’s an offer our hero can’t resist. He’s more intrigued by an anonymous invite that leads to Walter, who wants the wunderkind’s help breaking into “a vault in the most secure location in the world.” It is one of the film’s major credibility gaps that we’re meant to believe supposedly-brill Thom would potentially trash his own future to steal back nonspecific valuables from a government, simply because some grumpy old rich dude thinks he’s entitled to them. Meanwhile 21-year-old purported engineering “boy genius” - we know he’s one because someone calls him that every five minutes - Thom ( Freddie Highmore) is in Cambridge fending off post-graduation job offers from multinational corporations. Sight unseen, still locked in its centuries-old chest, the mystery loot is dispatched to Madrid. The case is brought before an international court at the Hague, which sides with Spain. But the moment they haul it aboard ship, it’s seized by tipped-off Spanish customs agents, having been exhumed from that nation’s territorial waters. which crusty Walter (Liam Cunningham) has spent three decades searching for. Some 365 years later, a crew of deep-diving salvagers find that lost booty. theaters as well as digital and on demand March 26.Ī short prologue introduces the notion of treasure sunk to the bottom of the Atlantic in 1645, amid many sea battles between England’s Sir Francis Drake and the Spanish Armada. Saban Films is releasing the primarily English-language feature to U.S.
#The vault 2021 movie
But anyone desiring more from a heist movie than the genre’s familiar conventions professionally executed will find “The Vault” a bit empty.
Viewers who really love this sort of thing may get caught up in the procedural aspects of the story anyway. It’s just that a caper of this type needs tense set pieces, surprising twists, idiosyncratic characters or charismatic stars - ideally, all the above - to distinguish itself, and this one falls short in all those departments. There’s nothing really wrong with this glossy tale of a “mission impossible” raid on a heavily fortified Madrid bank to retrieve treasure, as slickly directed by Jaume Balaguero of the “” series. release, Spanish heist “ The Vault” stubbornly remains one of those movies you know you’ll be forgetting almost as soon as you finish watching it. They will only have 105 minutes to do so, while the Bank’s staff will be distracted, watching the 2010 Football World Cup final match, played by Spain’s national soccer team and broadcast on a giant screen, coincidentally placed just in front of the Bank of Spain building.Retitled from the even more indistinct “Way Down” for U.S. The Bank building is more than 100 years old, with no building blueprints available and a security system that includes an underground river that will flood the safe room if their walls are breached.Īs soon as Thom learns that a legendary lost treasure is going to be held at the bank’s safe for just 10 days, he devises, together with charismatic art dealer Walter “Cunningham” a detailed plan to breaking in. Thom, a genius engineering graduate is interested in the Bank of Spain’s safe.
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